Papers
The following table is a chronological list of papers on jazz computation.
|
1992 |
Ames, C., & Domino, M. (1992). Cybernetic Composer: an overview. In Understanding Music with AI. MIT Press Cambridge, MA, USA. |
|
2008 |
Bäckman, K. (2008a). Automatic Fitness in Generative Jazz Improvisation. In International Computer Music Conference. Belfast. |
|
2008 |
Bäckman, K. (2008b). EVOLUTIONARY JAZZ HARMONY A New Jazz Harmony System. In BIOMA 2008 conference in Ljubljana. |
|
2009 |
Bäckman, K. (2009a). Automatic jazz harmony evolution. In Sound and Music Computing Conference. |
|
2009 |
Bäckman, K. (2009b). EVOLUTIONARY JAZZ IMPROVIZATION A New Jazz Improvisation and Harmony System. In Performa 2009 – Aveiro, Portugal. Aveiro. |
|
2010 |
Bäckman, K. (2010). Ant Colony Optimization and Evolutionary Algorithms Applied to Jazz Solo Improvisation. In EIMAS, Brasil. |
|
2008 |
Bäckman, K., & Dahlstedt, P. (2008). A Generative Representation for the Evolution of Jazz Solos. In Applications of Evolutionary Computing Lecture Notes in Computer Science Volume 4974 (pp. 371–380). Springer. |
|
1996 |
Balaban, M., & Irish, S. (1996). Automatic jazz accompaniment computation: an open advice-based approach. … , 1996., Proceedings of the Seventh Israeli …. Retrieved from http://ieeexplore.ieee.org/xpls/abs_all.jsp?arnumber=554850 |
|
1994 |
Biles, J. Al. (1994). GenJam: A genetic algorithm for generating jazz solos. In Proceedings of the International Computer Music Conference (p. 131). Citeseer. |
|
1998 |
Biles, J. Al. (1998). Interactive GenJam: Integrating real-time performance with a genetic algorithm. In Proceedings of the 1998 international computer music conference (pp. 232–235). |
|
2005 |
Biles, J. Al. (2005). Evolutionary Music (slides). Artificial Life. |
|
1995 |
Biles, J. Al, & Eign, W. (1995). GenJam Populi: Training an IGA via audience-mediated performance. Proceedings of the 1995 International Computer Music …. |
|
2004 |
Chemillier, M. (2004). Steedman’s grammar for jazz chord sequences. |
|
2004 |
Chemillier, M. (2004). Toward a formal study of jazz chord sequences generated by Steedman?s grammar. Soft Computing, 8(9), 1–6. doi:10.1007/s00500-004-0386-3 |
|
2014 |
Donnay, G. F., Rankin, S. K., Lopez-Gonzalez, M., Jiradejvong, P., & Limb, C. J. (2014). Neural Substrates of Interactive Musical Improvisation: An fMRI Study of “Trading Fours” in Jazz. PLoS ONE, 9(2), e88665. doi:10.1371/journal.pone.0088665 |
|
2006 |
Emura, N., Miura, M., & Yanagida, M. (2006). A System yielding Jazz-style arrangement for a given melody. In Western Pacific Acoustics Conference (pp. 1–8). Seoul. Retrieved from http://miu.i.ryukoku.ac.jp/miura/pdf_int/INT2006-06-WESPAC9-JAZZSTYLE.pdf |
|
2008 |
Emura, N., Miura, M., & Yanagida, M. (2008). A modular system generating Jazz-style arrangement for a given set of a melody and its chord name sequence. Acoustical Science and Technology, 29(1), 51–57. doi:10.1250/ast.29.51 |
|
1980 |
Fry, C. (1980). Computer improvisation. Computer Music Journal. Retrieved from http://www.jstor.org/stable/3679638 |
| Gannon, P. (1991). Band-in-a-Box. PG Music. Inc., Hamilton, Ontario. Retrieved from http://scholar.google.com/scholar?hl=en&btnG=Search&q=intitle:Band-in-a-Box.+PG+Music,+Inc.#0 | |
|
2009 |
Gillick, J., Tang, K., & Keller, R. M. (2009). Learning Jazz Grammars. In Sound and Music Computing Conference (p. 6). Citeseer. Retrieved from http://citeseerx.ist.psu.edu/viewdoc/download?doi=10.1.1.155.486&rep=rep1&type=pdf |
|
1991 |
Giomi, F., & Ligabue, M. (1991). Computational generation and study of jazz music. Journal of New Music Research. Retrieved from http://www.tandfonline.com/doi/abs/10.1080/09298219108570576 |
|
1996 |
Goto, M. (1996). A Jazz Session System for Interplay among All Players. In International Computer Music Conference. Retrieved from http://citeseerx.ist.psu.edu/viewdoc/download?doi=10.1.1.32.9832&rep=rep1&type=pdf |
|
1995 |
Hidaka, I., Goto, M., & Muraoka, Y. (1995). An Automatic Jazz Accompaniment System Reacting to Solo. In Proc. of ICMC, (Figure 1). Retrieved from http://citeseerx.ist.psu.edu/viewdoc/summary?doi=10.1.1.141.1098 |
|
1991 |
Johnson-Laird, P. (1991). Jazz improvisation: A theory at the computational level. Representing Musical Structure, London. Retrieved from https://psych.princeton.edu/~psych/psychology/research/johnson_laird/pdfs/1991jazzimprovisation.pdf |
|
2002 |
Johnson-Laird, P. (2002). How jazz musicians improvise. Music Perception, 19(3), 415–442. Retrieved from http://www.jstor.org/stable/10.1525/mp.2002.19.3.415 |
|
2012 |
Kaliakatsos-Papakostas, M. a., Floros, A., & Vrahatis, M. N. (2012). Intelligent Real-Time Music Accompaniment for Constraint-Free Improvisation. In 2012 IEEE 24th International Conference on Tools with Artificial Intelligence (pp. 444–451). Ieee. doi:10.1109/ICTAI.2012.67 |
|
2008 |
Kitahara, T., Katsura, M., Katayose, H., & Nagata, N. (2008). Computational Model for Automatic Chord Voicing based on Bayesian Network, (Icmpc 10), 395–398. |
|
2005 |
Klein, J. (2005). A Pattern-Based Software Framework for Computer-Aided Jazz Improvisation. RWTH Aachen University. Retrieved from http://www.citeulike.org/group/616/article/391988 |
|
1981 |
Levitt, D. A. (1981). A melody description system for jazz improvisation. MIT. |
| Magnusson, B. (n.d.). The Art Of Walking Bass. Musicians Institute. | |
|
2009 |
Martín, D. (2009). Automatic accompaniment for improvised music. Universitat Pompeu Fabra, Barcelona. Retrieved from http://mtg.upf.es/static/media/Martin-Daniel-Master-Thesis-2009.pdf |
|
2008 |
Nilsson, P. A. (2008). The walking machine. In ICMC 2008 proceedings (pp. 1–3). Retrieved from http://classes.berklee.edu/mbierylo/ICMC08/defevent/papers/cr1531.pdf |
|
1999 |
Pachet, F. (1999). Surprising Harmonies. International Journal on Computing Anticipatory Systems, 1–20. |
|
2000 |
Pachet, F. (2000). Computer Analysis of Jazz Chord Sequences : Is Solar a Blues ? Survey of Computer Analysis, (February), 1–21. |
|
2013 |
Pachet, F., Suzda, J., & Martin, D. (2013). A Comprehensive Online Database of Machine-Readable Lead Sheets for Jazz Standards. ISMIR, Curitiba (Brazil). Retrieved from http://www.ppgia.pucpr.br/ismir2013/wp-content/uploads/2013/09/149_Paper.pdf |
|
1998 |
Papadopoulos, G., & Wiggins, G. (1998). A Genetic Algorithm for the Generation of Jazz Melodies. Knowledge Creation Diffusion Utilization, 10. |
|
1994 |
Pennycook. (1994). A model of tonal jazz improvisation. |
|
1993 |
Pennycook, B., Stammen, D., & Reynolds, D. (1993). Toward a Computer Model of a Jazz Improvisor. International Computer Music Conference. Retrieved from http://scholar.google.com/scholar?hl=en&btnG=Search&q=intitle:Toward+a+Computer+Model+of+a+Jazz+Improviser#0 |
|
1997 |
Ramalho, G. (1997). Pattern reuse in tonal music improvisation and accompaniment systems. |
|
1994 |
Ramalho, G., & Ganascia, J. (1994). Simulating creativity in jazz performance. AAAI. Retrieved from http://www.researchgate.net/publication/2671507_Simulating_Creativity_in_Jazz_Performance/file/72e7e51867c15dc574.pdf |
|
1999 |
Ramalho, G. L., Rolland, P., & Ganascia, J. (1999). An Artificially Intelligent Jazz Performer. Journal of New Music Research, 28(1), 1–24. |
|
1984 |
Steedman, M. (1984). A Generative Grammar for Jazz Chord Sequences. Music Perception. Retrieved from http://www.jstor.org/stable/40285282 |
|
1977 |
Ulrich, J. (1977). The Analysis and Synthesis of Jazz by Computer. IJCAI. Retrieved from http://ijcai.org/Past Proceedings/IJCAI-77-VOL2/PDF/067.pdf |
|
2014 |
Variego, J. (2014). Charlie Markov. Ideas Sonicas, 6. |
|
2008 |
WATANABE, J., WATANABE, K., & EMURA, N. (2008). A system generating jazz-style chord sequences for solo piano. In International Conference on Music Perception and Cognition (pp. 2–6). Retrieved from http://miu.i.ryukoku.ac.jp/miura/pdf_int/INT2008-08-ICMPC10-JAZZ.pdf |