Research Papers:

  • Pereira, Selma; Dias, Rui.  (2022). “The re-materialization of Portuguese textile traditions through post-digital creation – The intrinsic narrativas and the contribuition of these artifacts to the preservation of memórias and tradicional knoledge”. International Symposium at Lund University.
  • Pereira, Selma; Dias, Rui (2022). “Um artefacto interactivo promotor da sustentabilidade cultural – Estudo de Caso do projeto SLIIV”. FL_Fashion Sustainability – International Conference. Lisboa, 2022.
  • Pereira, Selma; Dias, Rui (2022). “SLIIV – prototype design for a wearable musical interface”. Third International Conference no Digital Creation In Arts, Media and Technology (ARTeFACTo), Macau.
  • Dias, R. (2021). MicroSonic Spaces: towards an autonomous ecosystem of virtual sonic agents. In “Perspectives on Music, Sound and Musicology”. Springer Series in Current Research in Systematic Musicology. ISBN 978-3-030-78450-8;
  • Silva, P., Dias.R, R. (2020). Open Project, a Project Opened. 7th Meeting of Research in Music, Arts and Design, EIMAD 2020, May 14–15, 2020. Advances in Design, Music and Arts. Springer Series in Design and Innovation. ISBN 978-3-030-55699-0.

  • Corintha, I., Outeiro, L., Dias, R. & Bernardes, G.(2020). AM-I-BLUES: An Interactive Digital Music Instrument for Guiding Novice Pianist in the Improvisation of Jazz Melodies. 7th Meeting of Research in Music, Arts and Design, EIMAD 2020, May 14–15, 2020. Advances in Design, Music and Arts. Springer Series in Design and Innovation. ISBN 978-3-030-55699-0.

  • Cruchinho, A., Silva, P., Dias, R. (2018). Desfile de Moda potencialidades das actividades multidisciplinares. Revista IPCB Campus #13 – Revista do Instituto Politécnico de Castelo Branco.

  • Dias, Rui (2018). “Interfacing Jazz: A Study in Computer-Mediated Jazz Music Creation and Performance”. PhD dissertation. Doctoral Program in Digital Media. Porto, Outubro 2018. link
  • Dias, Rui (2017). ”MyJazzBand” – an interactive virtual jazz band. Proceedings of the 13th International Symposium on CMMR, Matosinhos, Portugal.
  • Andrikopoulos, Dimitris and Dias, Rui (2016). “Chamber Music in the XXI Century Problematic and challenges”. International Chamber Music Conference 2016 – Chamber Music in the XXI Century: New perspectives and challenges. Porto, 2016.
  • Dias, Rui (2015). “Breakfast Serialism” for laptop orchestra and improvisers: A study on twelve-tone indeterminacy using computer mediation. Electroacoustic Winds 2015. Aveiro, Portugal.
  • Gomes, J. A.; Pinho, N.; Lopes, F.; Costa, G.; Dias, R.; Barbosa, Á. (2014). “Composing with Soundscapes: an Approach Based on Raw Data Reinterpretation”. XCOAX 2014. Porto, Portugal.
  • Dias, Rui (2009). Plataforma Modular para a Prototipagem em Sistemas Multimédia Interativos. Dissertação. Mestrado em Multimédia. Faculdade de Engenharia da Universidade do Porto.

Communications and Presentations:

  • Chamber Music in the XXI Century: Problematics and Challenges. with Dimitris Andrikopoulos. International Chamber Music Festival. Porto, March 12 2016.
  • A contour-based walking-bass algorithm. In Sound and Music Computing Conference (SMC 2013). Stockholm, Sweden. August 2013;
  • Computer Mediated Control of Interactive Music Applications. MAT (Media, Arts & Technologies) Workshop. INESC-TEC, Porto. April 29th 2013;
  • “Sistemas Multimédia Interactivos”. Palestra nos encontros “Dias de Música Electroacústica”. Dezembro de 2011, no Conservatório de Música de Seia.
  • Automatic Generation of Jazz Accompaniments. @Future Places Digital Media Doctoral Symposium. FBAUP, Porto, October 2011;
  • Gimme ‘da Blues: a jazz/blues player and automatic comping generator for iOS. InForum Coimbra. UC, Coimbra, September 2011;
  • GimmeDaBlues, iPhone application. 1st Symposium on Automatic Music Generation. Coimbra, February 2011;
  • Prototipagem de sistemas multimédia interativos com a biblioteca b.blocks. ACERT – Tondela, 2008;
  • “Prototyping in Interactive Multimedia Systems with the b.blocks Object Library”. Utrecht Hogeschool voor de Kunst, Hilversum – Holanda, 2008;